Bio 簡介
曾任職於智冠 遊戲音樂基地（GMCB） 的多媒體作曲家兼音樂製作人，專注於為電玩遊戲與動畫配樂，核心是創作能支撐視覺敘事、提升玩家沉浸式體驗的音樂。
A Media Composer and Music Producer formerly based at Soft-World's Game Music Creation Base (GMCB), specializing in scoring for video games and animation. His primary focus is creating music that supports the visual narrative and enhances the player's immersive experience.
創作風格 · Creative Style
Aaron 運用多樣化的音樂語言，融合管弦樂、樂團編制聲響、電子聲響與民族元素。這種適應性使他能為各種情感需求作曲——從宏大、史詩般的配樂，到細膩、以角色為導向的作品。
Aaron employs a versatile palette defined by the fusion of orchestral sounds, band arrangements, electronic textures, and ethnic elements. This adaptability allows him to effectively compose for a range of emotional needs, from grand, epic scores to intimate, character-driven pieces.
他的作曲風格融合中式、日式與西式的和聲結構，能打造出獨特且具文化共鳴的聲音環境。
His compositional style incorporates a blend of Chinese, Japanese, and Western harmonic structures, allowing him to craft unique and culturally resonant sonic environments.
歷程 · Journey
Aaron 從小自學音樂：九歲開始自學鋼琴，十一歲從堂姊那裡學會看和弦代號，隨後嘗試以鋼琴編排伴奏。十六歲時，他受真人版《仙履奇緣》預告片音樂的深刻感動，從此立志投入數位音樂製作，特別是管弦樂配樂。
Aaron's musical journey began with self-study, learning piano at age nine and later chord theory at eleven, which led him to attempt piano accompaniments. At sixteen, he was inspired to pursue digital music production, specifically orchestral scoring, after being profoundly moved by the trailer music for the live-action Cinderella.
他透過大量網路教學影片磨練技術，大學時期累積了以史詩音樂為主的眾多作品。這份作品集為他贏得了智冠遊戲音樂基地（GMCB）的實習機會。
He honed his technical skills through extensive online tutorials, focusing primarily on epic compositions during his university years and successfully accumulating a portfolio. This body of work led to a competitive internship opportunity at the Game Music Creation Base (GMCB).
在導師田雅欣（YaHsin）老師的帶領與指導下，他的編曲、作曲、MIDI mockup 技術與審美能力都得到顯著且迅速的提升。順利轉正後，他晉升為部門內的音樂製作人。
During this period, his skills in arrangement, composition, MIDI mockup, and aesthetic judgment experienced significant and rapid advancement under the mentorship of teacher YaHsin (田雅欣). Following a successful transition to a full-time role, he advanced to his current position as a Music Producer within the department.
在製作品質上，他重視達成高保真度的 MIDI mockup，為客戶提供清晰的聲音樣貌，並優化後續現場管弦樂錄音的效率——這也是他擁有豐富經驗的領域。
Furthermore, with an emphasis on production quality, Aranas places importance on achieving high-fidelity MIDI mockups to ensure clear visualization for clients and optimize the efficiency of any subsequent live orchestral recording — an area in which he has considerable experience.
精選作品 · Selected Works
作品橫跨多款不同類型的遊戲，包括任天堂的《BIRDIE WING－Golf Girls' Story》、奇幻武俠角色扮演遊戲《東離劍遊紀M》、Gravity 的大型多人線上角色扮演遊戲《Ragnarok Origin 仙境傳說：愛如初見》，以及動作遊戲《街機三國手遊》等。
His portfolio includes contributions to diverse titles such as Nintendo's Birdie Wing: Golf Girls' Story, the fantasy wuxia RPG Thunderbolt Fantasy Dong Li Jian You Ji M, Gravity's MMORPG Ragnarok ORIGIN, and the action title Arcade Three Kingdoms Mobile.
入選 · Recognition
2025 年，Aaron 入選「Spark the Music 台北101 × 北流（Taipei Music Center）跨年煙火音樂徵選計劃」——這是為台灣指標性年末盛會所舉辦的公開徵選。其入選作品於 2026 年台北101跨年煙火大秀《我們的世代 Gen. TAIWAN》「聲織福爾摩沙」中正式演出。
In 2025, Aaron was selected for the "Spark the Music — Taipei 101 × Taipei Music Center New Year's Eve Fireworks Music Open Call," a public competition held for Taiwan's iconic year-end celebration. His selected work was performed at the 2026 Taipei 101 New Year's Eve Fireworks Show 《Gen. TAIWAN》, in the segment "Weaving the Sounds of Formosa."